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| Course Title | Advanced Interior Design Communications | |
| Course # | ADI-S264/664 | |
| Credit Hours | 3 CREDITS: 6 CONTACT HOURS PER WEEK | |
| Semester | Spring 2003 | |
| Prerequisites | Interior Design Communications | |
| Class Meetings | Section A | Mon & Wed 1:00 - 5:00 |
| . | class web page : | |
| . | http://www.architecturalcadd.com/classes/advdescom-su03.htm | |
| Instructor's Name | Geoffrey Moore Langdon, Tom Yamamoto |
| Title | Assistant Professor(s) |
| Office Location | 75 Arlington St., Boston |
| Phone Number(s) | Langdon - 617-305-1702 |
| E-Mail Address | glangdon@suffolk.edu, dada13@aol.com |
| Home page | http://www.architecturalcadd.com |
| Other information | Office Hours: by appointment M&W 12:00-2:00 |
COURSE DESCRIPTION AND OBJECTIVES
Catalog Description :
ADI S264/664 - Advanced Interior Design Communications
This course is designed to advance presentation techniques and
reinforce the graphic and technical skills introduced in Interior Design
Communications. Students will continue to develop their proficiency in
"free-hand" sketching, rendering and perspective, and will have the opportunity
to work with various schematic design level 3D virtual reality rendering
software, digital camera, PhotoShop and scanning.
Prerequisites: ADI S104, ADI S106, Normally offered fall and summer
semesters; 3 credits
Course Objectives :
This course will enhance the students understanding of design in 3D space and principals of perspective to augment their work in other design courses. Students will be exposed to their visual environment by being taught how to perceive and judge what they see. Students will be instructed in a variety of drawing techniques ranging from freehand sketching to mechanical perspective drawing. Students will become familiar with design software, presentation software, and walk-through animations, presentation techniques, and the other computer based tools used by architects and interior designers (Architectural CADD). They will also expand and enhance the hand rendering and presentation skills they learned in Design Communications as well as how to integrate these skills with their new digital design software skills. Students will learn manual dexterity with a variety of drawing tools so they become comfortable and familiar with their ability to communicate graphically. Students will be introduced to various materials and media that will allow them freedom to graphically communicate their thoughts and ideas.
This course familiarizes the student with interior design uses of architectural CADD software, digital imaging, productivity techniques, 3D modeling, and CADD rendering techniques.
Schematic design level 3D virtual reality software : ArchiCAD,
SketchUp, (DesignWorkshop)
Digital Imaging / Scanning Software : PhotoShop, MS Paint
Presentation / Web Page portfolio design : Netscape Page Composer
Other Software : LightScape
Web Resources : www.greatbuildings.com, www.eproject.com,
www.bluebolt.com
Student Evaluation and Grading Methods :
The students are asked to do several projects that are progressively more complex, each introducing more sophisticated concepts in both hand rendering as well as in design software.
The grading of each project shall be weighted according to the complexity of the project -- the projects are about 90% of the course grade - with the final project worth 30% of the course grade. It is important that the final work be derived from a combination of both computer and hand skills.
Grading: First Excersise 10% Hand sketching and rendering
(Tommy)
First Exercise 10% 3-D modelling & quiz (Geoff)
Second Exercise 15% Rendering & compostion (Tommy)
Second Excercise 15% Photoshop & 3-D project &quiz ( Geoff)
Mid term assessement (10%) Tommy & Geoff Mid assessment for each
student
Final Hotel Lobby Project 30% ( Geoff & Tommy)
Attendence and participation 10%
Each instructor will grade you separately except for the Mid term assessement and the final project
Class Guidelines :
1. You are expected to be present in the studio
for the entire time of the class.
If you arrive late
or l eave early without prior approval of your instructor you
will be considered absent.
If you miss a class, you
are responsible for the material and directions covered.
2. You should plan to work in the class at
each class session as a great deal of the work for
this course will occur in
the studio sessions. The studio is an opportunity to learn from your
fellow classmates
therefore interaction is
encouraged. Bring all necessary materials and supplies to each class
session.
3. Work is due as scheduled on the syllabus
or assigned by your professor.
Work will be accepted
up to two weeks late but it will be dropped in grade for every day it is
late.
4. This course requires certain expense for materials
and supplies such as watercolor
paints, brushes, paper,
color pencils, markers, pen & ink, illustration board; reproduction
cost,
mounting and others. More
information will be given during the course and with each project.
Course Requirements :
1) There will be several project assignments, each lasting about 2 weeks which are intended to be completed during the three hour class time, with specified portions expected to be completed as homework
Class Attendance is absolutely necessary, especially at the lectures,
since the field is too new to rely solely on textbooks.
Grade Descriptions :
A Outstanding Work. The work shows innovation and
significant depth of understanding of specific requirements.
The assignment has been fully developed and well communicated graphically.
An unusual or unique concept has been expressed. Quantitative grade 100-
90.
B Good work. Solution and submittal have exceeded
all requirements of the assignments and exhibit an above average
understanding and clarity of idea, execution, and presentation. Quantitative
grade 89-80.
C Average Work. The solutions and submittal adequately
satisfy the assignment but lack a special depth of understanding
and development. The work overall lacks innovation and does not reflect
extra effort. Quantitative grade 79-70.
D Poor work. The solution is below average
standards and lacks depth. Work is poor, sloppy, and inappropriate
to course expectations. Quantitative grade 69-60.
F Unacceptable Work or Missing Work. Work
exhibits a lack of understanding. Quantitative grade 59-0.
Grade will be based upon completion and quality of class assignments
and class participation.
Required Texts :
1. Drawing Shortcuts: Developing Quick Drawing Skills Using Today's Technology, Jim Leggitt, pub by Wiley, 2002
2. Architectural Graphics, Edition 2 or 3 by Frank Ching, published by Van Nostrand Reinhold, New York, 1985.
3. Architectural CADD : A Resource Guide, by Langdon, 2002,
pub. by the Architectural CADD Press, Boston. available on CD
4. Perspective for Interior Designers, by John Pile, Published
by Whitney Library, 1985.
Recommended Reading :
Graphic Thinking For Architects and Designers
- Laseau, Paul
Elements of Design - Anderson,
Donald M.
Entourage, A Tracing File - Burden,
Ernest.McGraw Hill 1981
Interior Design Illustrated - Ching,
FrancisVan Nostrand Reinhold 1987
Drawing Interior Architecture -
Diekman, Norman and Pile, John; Whitney Library
of Design
Drawing on the Right Side of the Brain -
Edwards Betty 1989
Interior Design Graphics, - Jones,
Van Nostrand Reinhold 1980
Design Drawing Experience -
Lockard, William KirbyPepper Publishing 1987
Manual of Graphic Techniques -
Porter, Tom
Interior Graphic and Design Standards -
Reznikoff, S. C.Whitney Library of Design 1986
The art of Architectural Illustration -
RWP/RP ELite editions
Architectural Illustration - Paul
Stevenson Oles, V.N.R.
Architectural Rendering Philip Crowe, Rotovision
Color Drawing - Michael Doyle,
V.N.R.
Architecture in Perspective - American
Society of Architectural Perspectivists
Architecture in Watercolor - Thomas Schaller,
V.N.R.
Recommended Web Sites :
www.greatbuildings.com
www07.u-page.so-net.ne.jp/xa2/jarainfo/gallery.html
www.asap.org
www.architecturalcadd.com
www.graphisoft.com
www.eproject.com
Required Materials for the Student to Obtain :
1. 3 Boxes of High Density disks (DS/HD) 3.5" disks (at least 30 disks, minimum)
2. 3 Iomega Zip cartridges (at least 3 disks, minimum)
3. Sketchpad / Sketchbook and roll of tracing paper
4. Markers, colored pencils and other media designated by professor
Software used in the Class :
ArchiCAD
SketchUp
PhotoShop, MS Paint
Netscape Page Composer
LightScape
Note :
All of the software used in the course is provided on at least 15 networked CADD workstations owned by the College, free to the students to use, 7 days a week. The students are not required to buy computers or software. If they wish to buy hardware or software, they should see the list of current recommendations on the Suffolk Univ. NESAD - Interior Design web site. Students do not have to buy ArchiCAD, it is, however, strongly recommended.
If the student already has a PowerMacintosh or a Pentium Windows based system, the following is strongly recommended :
1. ArchiCAD Student Version, a version of the Professional ArchiCAD software is designed specifically for students. It is a fully functional architectural CADD package, including 2D productivity macros and 3D modeling ability. Available directly from Graphisoft for $99. A significant discount from the usual professional price of $ 4,990. Available at www.intcad.com.
2. DataCAD, the Professional DataCAD software.
It is a fully functional architectural CADD package, including 2D productivity
macros and 3D modeling ability. Available directly from TechEd Products
for $ 145. A significant discount from the usual professional price of
$995. Available at
www.tech-ed.com.
3. SketchUp, the schematic 3D modeling software, normally $500, is available to students to lease for $95 per year (after four years the student has full professional ownership). Available at www.sketchup.com
4. PhotoShop, professional level digital imaging software, normally $800, is available to students for about $130, at www.journeyed.com.
5. DesignWorkshop, the schematic 3D modeling software, normally $800, is available free (light version) from the www.artifice.com web site (or on the Langdon CD) and the Professional version for students at $130.
6. MS Paint, a simple drawing/imaging software is a free built-in part of Microsoft Windows -- find it under Start/Programs/Accessories/Paint
7. Netscape Page Composer, a simple visual web page creation software, is available free from www.netscape.com as part of Netscape Communicator. The program is extremely large (downloading it via modem could take hours) so it is provided on the Langdon CD.
8. LightScape, the photorealistic rendering software, is $400 from Autodesk, at www.autodesk.com
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Course Outline : (typical - will be revised somewhat after the surveys collected during the first class)
Week --- Topic (a - monday, b - wednesday)
1 6/2 - 6/5
a Course Outline, Requirements,
Grading Criteria, Office Hours, Surveys, Intro to ArchiCAD
3D Architectural
Modeling, ArchiCAD getting started with simple house Step by Step
b Work on Vacation House
project in ArchiCAD
Printing
perspectives of house 8.5"x11 - Hand rendering
Project :
Vacation House - Kit./Din./Liv
2 6/9 - 6/11
a P.1: Freehand drawing
with observation and theory
Homework:
Freehand drawings of interior spaces
b ArchiCAD Basics -- Drawing
Aids, Space Planning, start new project
Project Extranets
(eProject.com), Work on Law Firm project
Project :
Law Firm
3 6/16 - 6/18
a P.2: Rendering
Exercise in color
P2-1
Color pencil
Homework:
Perspective drawing
b ArchiCAD to Hand Rendering
Work on Law
Firm project
Print and
Render
4 6/23 - 6/25
a P2-2 Water color
Watercolor
exercise continues
b ArchiCAD Techniques -
Modeling and Rendering, Printing to Acrobat pdf
Work on rendering
5 6/30 - 7/2
a Pin-up Presentations
b Digital Imaging - Paint
and PhotoShop, Scanning, start flowers and digital makeover projects
Projects :
Flowers, Digital Makeover
6 7/7 - 7/9
a Quiz
Field Trip:
XV Beacon Street
P 3: XV Beacon
Street begins
b Presentation Techniques
/ Web Page Portfolio Design
Work on flowers
and Web Page
Work on Web
Page
Projects :
Web Page (beginnings), Beacon Street
7 7/14 - 7/16
a Discussion –Title block,
layout, compositions, size and number of boards
Layout drawing,
Mechanical perspective drawing,
Introduction
of Perspective
Work on Beacon
Street project
b Demo. multi-story buildings,
3D CADD modeling custom stairs, digital camera
Web research
- online object libraries, modeling techniques
Work on Beacon
Street project
8 7/21 - 7/23
a Studio exercise: Perspective
drawing, drafting plan, elevations continues
Work on Beacon
Street project
b Online image libraries,
keeping personal object/image libraries
LightScape
photorealistic rendering and light studies
Work on Beacon
Street project
9 7/28 - 7/30
a Layout, composition
Furniture,
material, color samples
Work on Beacon
Street project
b BlueBolt fabric resource
on web, final CADD rendering techniques
Importing/Exporting
to/from ArchiCAD/AutoCAD
Work on Beacon
Street project
10 8/4 - 8/6
a Work on project - hand/digital
Completion
of boards
b Work on project - hand/digital
Update Web
Page and PowerPoint presentation with Beacon Street Project
Pin-up
Presentations